Regarding the Coolest Comic-Book Story Ever…

The Goblin tried to destroy my mind… but what did his evil really do? Open a door to the good… to the two of you. All those years I tried to shut you out. So afraid to even think of you. Feeling so GUILTY… so responsible for your deaths. But now, MOTHERFATHER… I can let myself remember. Now I can love you. Now I can grieve.’ And in his grief he finds new freedom, and that freedom lifts him up and carries him off… into the DAWN.

J. Marc DeMatteis (from The Spectacular Spider-Man #183)

Have you ever read a story that just blew your mind from its very first line?

Let me back up a bit…

I… have read a BOATLOAD of comic books in my day! From Neil Gaiman’s seventy-issue run on The Sandman to the epic Batman: Knightfall, I’ve been around the newsprint block more than a few times. I’ve read thousands of books, including series that date back to the nineteen-forties. When it comes to ‘sequential artwork’, there ain’t a whole lot that I don’t know.

But there is one story that will always remain my favorite: The Child Within, by writer J. Marc DeMatteis and artist Sal Buscema.

Now, I have Sal Buscema’s entire run on The Spectacular Spider-Man. I re-read through the run once a year (along with Sam Keith’s epic series The Maxx, and Gaiman’s The Sandman.) The entire run is amazing, but it kicked into overdrive when writer Peter David handed the baton to J. Marc DeMatteis. And within that run lies The Child Within, my favorite six-issue tale of all time.

The trick with writing comics, I think, is that a writer must take them seriously. One cannot focus over-much on the costumes and the super-powers, lest one’s tale de-evolve into a cheesy Power Rangers rip-off. This truth DeMatteis understands in spades: The Child Within is possibly the most harrowing, disturbing tale ever to grace the four-color page. It sucks you in like a Hitchcock film, pulling you deep into the dark recesses of each character’s mind.

Buscema – easily one of my favorite artists – was the perfect illustrator for DeMatteis’ nightmarish tale. His style is sharp, clean, almost bare-bones, and yet remains extremely vibrant and expressive. His work really stood out in the nineties, when more ‘sketchy’ styles were trendy due to artists like Todd McFarlane.

Most Spider-Man fans would tell you that Spidey’s best stories were Kraven’s Last Hunt (by DeMatteis and Bob McLeod) and Torment (by Todd McFarlane). The Child Within smokes them both, in my opinion; it was a true stroke of genius.

The Child Within ran in The Spectacular Spider-Man #178-183, in late 1991. All six issues can be readily purchased for a couple of bucks apiece; in fact, you’ll probably pay more for shipping than you will the actual magazines. For some odd reason, The Child Within was never collected into a trade paperback.

It should have been!

So go hunt it down and read it. Seriously.

You’ll be glad you did…

Regarding Someone More Talented Than I'll EVER Be…

I started this blog to showcase my own writing.

By modern standards, I’m pretty good…

By historical standards, I’m a hack.

Here is one of the greatest poems ever written, by one of the greatest writers who ever lived. Disney has made a tawdry mockery of his work, but for those of us who appreciate the finer things in life…

Well… WE get him!!!

L’Envoi – by Rudyard Kipling

When Earth’s last picture is painted
And the tubes are twisted and dried
When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
‘Till the Master of all good workmen
Shall put us to work anew
And those that were good shall be happy
They’ll sit in a golden chair
They’ll splash at a ten league canvas
With brushes of comet’s hair
They’ll find real saints to draw from
Magdalene, Peter, and Paul
They’ll work for an age at a sitting
And never be tired at all.
And only the Master shall praise us.
And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working,
And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are!

Regarding… well, nothing… 'cuz I ain't finished it yet…

I promised y’all one of my finest stories, due for release very soon…

I ain’t finished editing it yet. Sorry ’bout that.

But to paraphrase Stephen King, that which looks forward must also look back… and thus I offer you, my dear friends, one of the finest poems ever written. It makes my own feeble writings pale by comparison, but despite its detrimental effect upon my own work I nevertheless feel the need to post it.

My own opus will appear soon enough, I promise. Until then, ladies and gentlemen, I give you…

Oh, hell. There is no need WHATSOEVER for me to introduce this one!!!

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

    While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

    Eagerly I wished the morrow;—vainly I had sought to borrow

    From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

    So that now, to still the beating of my heart, I stood repeating

    “’Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

    But the fact is I was napping, and so gently you came rapping,

    And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

    But the silence was unbroken, and the stillness gave no token,

    And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

    “Surely,” said I, “surely that is something at my window lattice;

      Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

    Not the least obeisance made he; not a minute stopped or stayed he;

    But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

    For we cannot help agreeing that no living human being

    Ever yet was blessed with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

    Nothing farther then he uttered—not a feather then he fluttered—

    Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my Hopes have flown before.”

            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

    Caught from some unhappy master whom unmerciful Disaster

    Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

    Then, upon the velvet sinking, I betook myself to linking

    Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

    This and more I sat divining, with my head at ease reclining

    On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

    Respite—respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

    Desolate yet all undaunted, on this desert land enchanted—

    On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

    Tell this soul with sorrow laden if, within the distant Aidenn,

    It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

    Leave no black plume as a token of that lie thy soul hath spoken!

    Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

    And his eyes have all the seeming of a demon’s that is dreaming,

    And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

            Shall be lifted—nevermore!